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Filtered Sunlight 2154-60
On-screen approximation from the published RGB value. Order a physical sample before you decide.
Undertone: Saturated yellow (a color, not a neutral)
In CIELAB, Filtered Sunlight sits at L* 93.5, a* 0.2, b* 16.9. Its hue angle is 89° and its chroma is 16.9, so it reads as an outright yellow rather than a neutral. It classifies as warm. Among Benjamin Moore colors with a similar LRV (±5), it is warmer (more yellow) than 80%.
LRV 80.6: very light
Light Reflectance Value runs from 0 (absolute black) to 100 (perfect white). At 80.6, Filtered Sunlight is lighter than 93% of Benjamin Moore colors. Reflects most light. Works in dim rooms, north-facing spaces, ceilings and trim; can look stark in strong southern light.
Closest Sherwin-Williams match to Filtered Sunlight
Ranked by CIEDE2000 color difference (ΔE) computed from published RGB values. Below 2 is hard to tell apart on the wall; above 4 is a different color.
| Color | Code | ΔE2000 | How close | |
|---|---|---|---|---|
| Corona | SW 7121 | 1.49 | Very close | |
| Lemon Meringue | SW 7561 | 1.70 | Very close | |
| Yellow Beam | SW 7123 | 1.73 | Very close |
Closest Behr match to Filtered Sunlight
Ranked by CIEDE2000 color difference (ΔE) computed from published RGB values. Below 2 is hard to tell apart on the wall; above 4 is a different color. Behr does not publish LRV, so Behr values here are estimates.
| Color | Code | ΔE2000 | How close | |
|---|---|---|---|---|
| Honey Moth | 350E-2 | 0.38 | Practically identical | |
| Summer Moon | PPL-68 | 0.81 | Practically identical | |
| Opal Cream | 300A-1 | 0.85 | Practically identical |
Similar Benjamin Moore colors
| Color | Code | ΔE2000 | How close | |
|---|---|---|---|---|
| Antique Lace | 922 | 0.81 | Practically identical | |
| Antique Lace | OC-104 | 0.81 | Practically identical | |
| Ludwell White | CW-275 | 1.08 | Very close | |
| Porter Ranch Cream | 148 | 1.23 | Very close | |
| Calcite | CW-110 | 1.23 | Very close | |
| Aura | 169 | 1.25 | Very close |
Lighter and darker versions
Colors from Benjamin Moore with nearly the same hue and saturation, one step lighter or darker.
- Palm Coast Pale 330 · lighter, LRV 86.6
- Lemon Chiffon OC-109 · lighter, LRV 85.6
- Lemon Chiffon 932 · lighter, LRV 85.6
- Peach Melba 078 · darker, LRV 77.2
- Knitted Cape CSP-965 · darker, LRV 77.2
- Florida Seashells 128 · darker, LRV 76.0
Colors that go with Filtered Sunlight
Color-theory pairings — the nearest Benjamin Moore color to each rotated hue, keeping the same lightness and saturation:
- White Satin 2067-70 · complementary (180°)
- Whispering Peach 2014-60 · analogous (−30°)
- Lime Accent 407 · analogous (+30°)
- Blue Seafoam 2056-60 · triadic (120°)
- Bunny Nose Pink 2074-60 · triadic (240°)
Filtered Sunlight vs popular colors
- Rich Cream (Benjamin Moore 2153-60, ΔE 1.6) is darker (LRV 76.6 vs 80.6).
- Windham Cream (Benjamin Moore HC-6, ΔE 1.9) is darker (LRV 79.0 vs 80.6), more yellow/warm, more green.
- Philadelphia Cream (Benjamin Moore HC-30, ΔE 3.8) is darker (LRV 69.1 vs 80.6), more yellow/warm, more saturated.